Tuesday, October 27, 2015

German book trailer for COLD SHOT TO THE HEART


Crissa Stone on film for the first time (sort of).

My German publisher, Pendragon Verlag, launched their translated edition of the first Crissa Stone novel, COLD SHOT TO THE HEART (aka KALTER SCHUSS INS HERZ) at the Frankfurt Book Fair earlier this month.


As part of the rollout they commissioned a full-cast book trailer that can be found here.

Not sure who the actress is playing Crissa - and not quite the way I described her - but she still looks the part.

Monday, October 12, 2015

Answering some Bloody Questions from Germany



The German crime fiction website Krimi-Welt interviewed me as part of their "Bloody Questions/The Crime Questionnaire" series of Q&As with authors (the first Crissa Stone novel, COLD SHOT TO THE HEART, has just been reissued in a German-language edition from Pendragon Verlag publishers as KALTER SCHUSS INS HERZ). The German version of the interview is here. I won't attempt to translate interviewer Marcus Müntefering's introduction, but here's the interview below, in the original English:

1: Have you ever thought about committing a crime/committed a crime?

As far as the act, nothing significant, fortunately. In regards to the thought, who hasn’t? The question is why some people follow through on it and others don’t. Is it conscience, fear, upbringing? All good questions for crime fiction.



2: Who is the worst villain of the history of (crime) literature?
A great crime novel – or any novel for that matter – will create a certain amount of sympathy for even its worst villains. That’s what gives the stories resonance (Thomas Harris’ RED DRAGON is a perfect example). Who’s the most unsympathetic villain in crime fiction? I’m not sure, maybe Anton Chigurh in Cormac McCarthy’s NO COUNTRY FOR OLD MEN. He’s certainly one of the most enigmatic.

 

3: Do you remember the first person you ever killed in your novels?
Yes, a major character toward the end of my first novel, THE BARBED-WIRE KISS. I was surprised at the sense of loss I felt. That scene was difficult to write.

4: The Beatles or Stones question: Chandler or Hammett?
Both great writers, but I will always prefer Hammett. Discovering his books in my teenage years changed my life. His novels felt like they were set in the real world, one I recognized. THE GLASS KEY will always stay with me. I think it’s his masterpiece, even more so than THE MALTESE FALCON. 

5: Have you ever seen a dead body? And how did it affect your life?
Everyone has. If nothing else, it reminds you that time is finite and the carnival always ends, usually before you’re ready.

6: Have you ever witnessed a crime?
 Yes, and we’ll leave it at that.

7: Is there anybody in the world you’d rather see dead?
No, but there are quite a few people who have passed on that I wish were still alive.

8: How did you make a living before you became a success as a writer?
I worked in daily newspapers for 23 years as a reporter and editor. I still freelance for magazines and newspapers when possible. 

9: If you wouldn’t write crime novels – what would you (like to) do?
Direct films. But in one sense that’s what I’m already doing with the novels, except I have an unlimited budget and no one to second-guess me. 

10: Do you listen to music when you are writing? And if this is a yes: What music? 
Off and on. I did a CD playlist for my third novel GONE ‘TIL NOVEMBER which included some of the music I listened to while I wrote it, mainly old-school soul and R&B, which figured into the plot. But I wrote the first three Crissa Stone novels listening exclusively to the music of American minimalist composers Philip Glass and John Adams. I found their work beautiful and hypnotic in a way that seemed to aid the writing process.

11: Do you prefer to write at day or at night? At your desk at home or everywhere you go?
I write at night, usually from ten p.m. on. I have to write at my desk at home, or someplace similar. I have a laptop but don’t really do much first-draft writing on it because it feels a little awkward. I can’t work in public – coffee shops, libraries, etc. – at all. Too many distractions. I know several excellent writers who do though.

12: Are the any days where you can’t write a word? What do you do then?
Collate and recopy notes, look up visual references, handle correspondence. Those days come more often than you’d think. A lot of times it’s fatigue-related though, and in those cases short naps seem to help. 

13: What happens after death? And: What should happen after death?
I like to think we go back into the universal soup we came from and are reunited with everything that is, ever was, and ever will be. 

14: Crime and Punishment: What do you think of capitol punishment?
I’m generally opposed to it, although it can be hard to make that argument when the crimes are as horrific as they sometimes are.  But it’s never been applied fairly in terms of class, and the astonishing number of Death Row inmates who have been freed and exonerated based on new evidence indicates the process is far from foolproof. But it is final.

15: What do you make of Bert Brecht’s statement: What is the robbing of a bank compared to the founding of a bank?“
As James Lee Burke has answered eloquently in his "Bloody Questions" interview, banks helped create the middle class by granting access to money to those who didn’t have it. However, that concept of banking – and the IT’S A WONDERFUL LIFE version of the “good ol’ Savings and Loan” – is a far cry from the current monolithic financial institutions whose greed and recklessness sent the world’s economy into a downward spiral that will be felt for generations. 

16: What should be written on your tombstone?
“Wow, he was old.”

Friday, August 28, 2015

My Audrey Totter tribute

Audrey Totter, one of the great Hollywood femme fatales (as well as one of the last of Eddie Muller's "Dark City Dames"), passed away in Dec. 2013, at age 95, while I was writing THE DEVIL'S SHARE, and I was inclined to pay a little homage to her in a scene in the book. Few people have noticed it - it's around page 70 in the hardcover edition - but I'm happy to have gotten it in there, a little tribute from one tough fictional dame to another. The clip I referenced wasn't on YouTube, so I went ahead and uploaded it myself. It's from one of my favorite movies of hers, 1949's TENSION.

Tuesday, August 25, 2015

"Born to Run" at 40

It's hard to explain what it was like - 40 years ago - to first hear the songs from Bruce Springsteen's "Born to Run" on the radio (WNEW-FM!) while growing up in Long Branch, N.J., next to Asbury Park. Those songs invested the places I knew so well - Palace Amusements, The Circuit and more - with an almost mystical presence, and elevated them from the prosaic to the poetic. Forty years - and more than 100 shows - later, I'm still along for the ride.

Here's one of my favorite outtakes from the album, an early acoustic version of "Thunder Road."

Wednesday, August 19, 2015

Mystery People on THE DEVIL'S SHARE

"Hard-boiled heaven ... a fresh take on the tropes we love with more depth than you might expect." MysteryPeople on THE DEVIL'S SHARE. You can read the full review HERE.

Kemper's Book Blog on THE DEVIL'S SHARE

"Stroby has written a top notch crime novel without an ounce of fat in it that still finds time to develop its characters in the midst of its fast paced action." Many thanks to Kemper's Book Blog for this thoughtful review of THE DEVIL'S SHARE.

THE BACKGROUNDER podcast interview

I was interviewed by Paul Brubaker for his podcast THE BACKGROUNDER last month, and it was probably the best interview I've ever had. Paul proved himself a pro by really doing his homework, and the result was a career-spanning interview that dealt witb everything from my overnight reporter days to interviewing Stephen King, my adventures with Showtime, THE DEVIL’S SHARE, and casting Crissa Stone. The interview was conducted at the historic Stephen Crane House in Asbury Park, N.J.

Names were named. No one was safe. You can listen – or download to listen later – HERE and via iTunes. (Thanks to Tom Chesek for making the Crane House available).

Tuesday, August 11, 2015

Book Reporter on THE DEVIL'S SHARE

"Sets the standard for the contemporary crime novel ... pitch-perfect in every way ... a riveting, unforgettable symphony."
BookReporter.com with some more-than-kind words for THE DEVIL'S SHARE. (You can read the full review HERE)

Saturday, July 11, 2015

Crime Fiction FM podcast


Thanks to Stephen Campbell for inviting me to take part in his Crime Fiction FM podcast, talking about THE DEVIL'S SHARE, journalism, crime fiction, Crissa Stone and how to plan a heist. You can listen - or download to listen later - here.

My 'Bookshelf' and more


Many thanks to Patti Nase Abbott for including me in her ongoing "Bookshelf" feature, in which I manage to namecheck Lorrie Moore, Rafael Sabatini and Yukio Mishima, among others. You can read it here. Above is the accompanying random bookshelf photo I took in my office last week.

Wednesday, July 01, 2015

THE BIG THRILL interview


My thanks to author Scott Adlerberg and the International Thriller Writers Organization for this interview in the new issue of their magazine THE BIG THRILL, talking about THE DEVIL'S SHARE, Iraqi artifacts, ISIS and much more. You can read the interview here.

Monday, June 22, 2015

Read the first chapter of THE DEVIL'S SHARE

Thanks to the folks at Macmillan, you can read the first chapter of the fourth Crissa Stone novel, THE DEVIL'S SHARE, for free here.

N.J. launch for THE DEVIL'S SHARE and THE FRAUD 7/8/15

Come celebrate the release of Wallace Stroby's THE DEVIL'S SHARE and Brad Parks' THE FRAUD at the Moonstone Mystery Bookstore in lovely historic Flemington, N.J. July 8, 2015. Special offer: 20% off all pre-orders through July 1 (see details below).

When Bernie met Crissa?

Lawrence Block's legendary burglar/bookseller Bernie Rhodenbarr a Crissa Stone fan? Apparently so. You can read all about it here.

( You can pre-order THE DEVIL'S SHARE, the new Crissa Stone novel, here.)

Thursday, June 04, 2015

COLD SHOT TO THE HEART in German

Here's the cover for KALTER SCHUSS INS HERZ - aka COLD SHOT TO THE HEART, the first Crissa Stone novel - being released by German publisher Pendragon Verlag this August. It's the first in their series of German editions of the Crissa Stone books, expertly (and laconically) translated by Alf Meyer.

Sunday, May 24, 2015

The beautiful abyss



(This essay originally appeared in the Star-Ledger of Newark Aug. 21, 2005 as part of the series "The Muse of New Jersey: Writers on the Roots of Inspiration in the Garden State")

It was a bad way to die.

The evening of Friday, July 22, 1977, my father, William Wallace Stroby, was piloting his 36-foot boat, the Dawn I, a few miles off Monmouth Beach. He'd gone fishing with a friend that afternoon, and as the day wore on the water had turned choppy, the horizon gray.

He was up on the flying bridge, steering the boat, when the buzzer went off indicating the engines had stalled. It was a fairly common occurrence, usually requiring only a quick manual restart.

Later, we would try to piece together what happened.
Maybe he climbed down the wooden ladder from the flying bridge too quickly, the steps slick from spray. Perhaps the boat rolled and he lost his balance, struck his head on the way down.

His friend was inside the cabin and saw nothing. All he heard was the splash. He ran on deck to find himself alone.

He had no idea how to operate the boat or the ship-to-shore radio. The night was closing in and the boat was drifting. He tossed a life preserver into the water, hoping my father might surface, see it and swim to it.

He never did, of course. He was gone.

It was a week before his 55th birthday. I was 16.

****

There is always risk in being on the water. But my father had met the sea once, on its own terms, and bested it. During World War II, he'd been a signalman onboard a destroyer, the USS Cushing, serving in the South Pacific. In the early hours of Friday Nov. 13, 1942, the Cushing was leading a formation of U.S. ships when it was unexpectedly caught up in a chaotic night battle with a Japanese task force off the coast of Guadalcanal.

Pinned in a crossfire, disabled and burning, the Cushing was finished off with a point-blank salvo from the Japanese destroyer Terutsuki. Many of the crew were killed outright. Others were trapped in the battered ship as it slipped beneath the waves. Wounded by shrapnel, my father abandoned ship with the other surviving crewmen, leaping into the water and making for the few lifeboats that had been launched.


The Cushing was the first casualty of a battle that lasted well into the next day. With no chance of rescue while the fighting continued, my father and his crewmates spent 14 hours in the water. When the Pacific sun rose, it illuminated a seascape of burning ships, oil slicks and floating corpses.

American aircraft would eventually drive the last of the Japanese ships away, and boats were launched from Guadalcanal to rescue the men in the water. Once on the island, my father was able to write a quick V-mail letter to his mother on November 18, telling her he was safe. Others were not so lucky. Almost half of the Cushing's 150-man crew had been lost. When the battle was finally over, more than a dozen ships from both sides had been destroyed or disabled in a stretch of water that would come to be known as Iron Bottom Sound.

My father had faced death that night, and he knew it. Though he stayed in the Navy, serving on other ships until war's end, in some ways, those days off Guadalcanal were the most vivid of his life. The official Navy photograph of the Cushing would hang on the wall of his office for the rest of his life.



When he eventually returned to the States, he met my mother - Inez Dorothy Morelli, a nurse from Long Branch. My father had been raised in a rural farm community in western Monmouth County, but after they were married, he moved to Long Branch and became an apprentice to his uncle, Curt Reid, who ran a land-surveying business. My father would succeed him after his death, and in the development-crazed decades that followed, William W. Stroby & Associates would become one of Monmouth County's best-known - and busiest - surveying outfits, with offices in our house in Long Branch.

But my father never lost his love of the sea. We lived only blocks from the beach, and when the business was doing well enough in the early 1970s, he allowed himself his first real toy - a 22-foot cabin cruiser named the Tyella. During the summer, he'd go fishing every weekend and would often spend the night onboard dockside, lulled to sleep by the motion of the water.

When he was able to, he bought a bigger boat - the Dawn I - for $10,000, an unheard-of expense for the time. And it was that boat he was piloting in July 1977, when the engines gave out and the sea called for him again.

****


My father was a rough-and-tumble farm boy, a bar brawler on occasion, but he was a reader. It was a habit he'd picked up in the Navy, where long voyages often meant hours of boredom. He read everything he could get his hands on, and I learned by his example. In the year or so before he died, I'd discovered the great hard-boiled writers of the 1930s and '40s - Hammett and Chandler and, my father's favorite, James M. Cain - and we'd found common ground there.

I had favorites of my own - the pulp action novels of Don Pendleton and the terse, hard-edged crime tales Donald Westlake wrote under the pen name Richard Stark. My father borrowed and consumed these just as eagerly as he did a historical novel by Frank Yerby or a scholarly work by Samuel Eliot Morrison. On the day of that final fishing trip, the Stark novel "Deadly Edge" lay open and face-down on the bookshelf in the headboard of his bed, where he'd left it the night before.

I was the youngest of four children, and by 1977 my older brothers and sister were already out of the house, raising their own families. My mother and I were accustomed to my father's fishing trips lasting well into the night, so I'd gone to bed that Friday unaware anything was wrong.

The next morning I was woken by my oldest brother, Bill, who lived an hour south. He told me what had happened. They were still searching, he said. They might yet find him.

I got dressed and went downstairs to find a houseful of people, my mother sobbing at the kitchen table. The calls had gone out to friends and relatives, and my father's disappearance was already on the local radio news, WJLK out of Asbury Park, the station we listened to in the kitchen every morning as we had breakfast.

The boat had drifted for much of the night, eventually beaching at Gateway National Recreation Area at Sandy Hook. There my father's friend told the park rangers what had happened, and the Coast Guard was called in. Patrol boats and a helicopter were sent out to search.

Later that morning, Bill and I drove up to Sandy Hook. It was low tide and the Dawn I sat high on the beach, battered and abandoned, surrounded by the curious.

On Sunday, they called off the search.

It was weeks before they found the body.

****

I still live near the beach. Closer now than ever, actually. I'm a few towns south of Long Branch, but a block's walk takes me from my front door to the ocean. Most of the seven crime novels I've published have been set at least partially at the Jersey Shore, and the ocean figures in each.

The sea gives me my bearings, geographically and philosophically. I miss it when I'm away, and I feel an edge of nervousness when I'm somewhere that's totally landlocked. I need that unending horizon, that sense of limitless space close by. Living near the ocean is like living on the edge of forever, a beautiful abyss. Eternal but ever-changing, hypnotic and merciless.

But I have no fear of the sea - of swimming or boats or drowning. My father would not have stood for that. The sea was his life. It carried him to adventures far beyond the New Jersey farm he'd grown up on. It was the place he felt most alive. And though I don't own a boat and have little interest in them, I keep the sea close at hand.

What I do have is a sense of impermanence, of the futility of planning too much, or taking for granted the days to come. Of the finiteness of time. I've been told it's a theme in my books, and though I don't think I was aware of it, I have no doubt it's true.

I do know that much of my philosophy and behavior - for better or worse - was shaped by what happened on that summer day 28 years ago. And in those intervening years, nothing has convinced me otherwise. The truths I learned that summer were simple ones, but truths nonetheless, and I can't turn away from them. Like the ocean, they are always there.

We make our plans, we build our nests. We live our lives. And then one day the sea calls.

Thursday, May 07, 2015

Why pre-order?



Regarding pre-orders, for those who asked: They've become increasingly important in the current publishing environment, as they help to build momentum both in-house and with retailers. They also count toward that crucial first week of sales, which affects store placement, print run, media coverage, etc., and helps bookstore owners with their stock planning. Also, with on-line preordering from some of the larger retailers, you get guaranteed delivery on the day the book's released.

You can preorder copies of THE DEVIL'S SHARE here via Amazon, Barnes & Noble and Indiebound. But you can also preorder through your local bookstore, or any other book retailer.

Whether on-line or via a physical bookstore, preorders really do make a difference. And, of course, they make Bela happy ... .

Sunday, May 03, 2015

Publishers Weekly on THE DEVIL'S SHARE

"Razor-sharp ... wastes no words and packs a huge punch." Publishers Weekly weighs in on THE DEVIL'S SHARE.
(Click on image to enlarge)

Thursday, April 30, 2015

Kirkus Reviews on THE DEVIL'S SHARE


"Readers hungry for an old-fashioned double-strength heist gone wrong could hardly do better." Kirkus Reviews has an early look at THE DEVIL'S SHARE.

Wednesday, April 29, 2015

Booklist on THE DEVIL'S SHARE

"Stroby is regularly compared to Elmore Leonard and other greats of hard-boiled crime, and THE DEVIL'S SHARE will only burnish that reputation."
BOOKLIST with an advance review and some kind words for THE DEVIL'S SHARE.
(Click image to enlarge)