Romantic Times on SHOOT THE WOMAN FIRST

The Romantic Times gives 4 (out of 4) Stars to SHOOT THE WOMAN FIRST in its latest issue.

SHOOT THE WOMAN FIRST
by Wallace Stroby

Genre: Mystery/Suspense/Thriller, Suspense
RT Rating: **** FOUR (out of Four) STARS

Professional thief and stone-cold killer Crissa Stone is back, lining up another caper in burned-out Detroit. Her long-buried conscience leads her further into danger and, perhaps, the end of it all. Violence permeates the action-filled pages replete with fascinating characters in this excellent novel. The plan is to steal more than half-a-million in Mexican drug money, helped by an insider, another friend and Crissa’s partner, Larry. Although they organize to the nth degree, it all goes terribly wrong when it becomes clear that the informant has turned on them. Ex-cop Burke has always played fast and loose with the law, taking and giving bribes and worse. Now that he’s an independent investigator, he alternates between doing impossible jobs and hitting the bottle. When an old contact asks him to track down the thieves that ripped him off, he says he’ll do it — for a price. When he discovers one of the perps is a woman, it puts him on Crissa’s trail.

(MINOTAUR, Dec., 288 pp., $24.99)
Reviewed By: Donna M. Brown

The PUBLISHERS WEEKLY Q&A - uncut

(Here's the complete text of my interview with Publishers Weekly from their Oct. 7 issue. The Q&A was trimmed somewhat for space, but is presented here in its original form.)

 PUBLISHERS WEEKLY: Tell us a little about Crissa’s background and how she became a professional thief.

WALLACE STROBY: When I started doing research into professional criminals, I found that – almost without exception – all the women who were in that life had been drawn into it by a man, usually an older mentor/lover. So that was part of my first thinking about her, that she had a chaotic childhood and adolescence, followed by a series of bad and abusive relationships, and involvement in petty crime. And that this older man – Wayne Boudreaux – had taken her away from all that and, in doing so, brought her into his own criminal life, where he would gradually depend on her more and more for her intelligence, instincts and nerve. 

PW: Crissa Stone is a compelling character – she dominates even if she’s not always the one in charge of putting together a team for a heist. Did you envision this character as female from the beginning or did she evolve as you worked on it? 

A: I’d always wanted to write a complete novel from the point of view of a career criminal, to get under their skin and see what makes them tick. I’d done this a little bit in THE HEARTBREAK LOUNGE and GONE ‘TIL NOVEMBER, where half the story was told from the point of view of a criminal, but I really wanted to stretch out with it a little. And the idea of having the character be a woman made it more intriguing to me, because it opened up a whole realm of possibilities. A woman would do things differently than a traditional lone wolf male protagonist. She’d have loyalties and relationships, make alliances, and avoid violence unless she had no choice. That became very interesting to me. 

PW: In concept, putting together a new team specifically for each caper reminded me of Westlake’s Dortmunder without the comic setbacks his plans always encountered.
A: Well, Westlake was the undisputed master of the caper novel, whether it was in his Dortmunder books, or the more-serious heist thrillers he wrote as Richard Stark. Plenty of novelists have done classic one-offs in the genre, but I think only Westlake sustained that throughout his career.

PW: Two characters who play a large part in Crissa’s life are largely offstage in your books – her imprisoned lover and her daughter.

A: That goes back to the idea of having the character be a woman. I wanted someone who was committing crimes for money,but who was not personally greedy. She’s trying to get her lover out of jail, and financially support a daughter who’s being raised by a relative. These are the things she values, rather than personal gain, and, with them, she’s hoping to eventually achieve some semblance of normalcy in her life, which, to a certain extent, she’s fooling herself about. She starts to recognize that near the end of KINGS OF MIDNIGHT, and even more so in SHOOT THE WOMAN FIRST.

PW: Many crime fiction series appeal primarily to either men or women, but often not both. Do you have a feel yet for the demographics of your readership?

A: Not really. I would hope it appeals to both. The books are about a smart, capable woman, but they’re still, I hope, realistic and honest when it comes to dealing with the crime elements. I’m just trying to come up with ideas and plots that feel true to the character, and that work in that context.

PW: Because Crissa has no real home base for her activities, she can go anywhere for her next job. Do you like the freedom of choice that gives you? What kind of problems result from needing to learn a new locale for each novel?

A: It’s both freeing and restricting. I’d like to write more about the Jersey Shore, which is where I live and where Crissa’s eventual home base is. The only thing is that she would never work close to home, so there’s only so much I can do with that setting. The challenge with the other locales is getting the details right, especially if I’ve never been there.
SHOOT THE WOMAN FIRST is set mainly in Detroit. I’d only intended that the first couple chapters take place there, so I decided I didn’t need to go personally. Eventually, as the book grew, more and more of the action stayed there, and then it was too late to go. I didn’t want the reality of the city to violate what I’d written, strangely enough. So I had a Detroit expert vet the book, and I incorporated all her fixes and suggestions – and there were a lot. Nothing against Detroit though, it’s just the way things worked out. 

Booklist on SHOOT THE WOMAN FIRST

(Click on image to enlarge)

Q&A in PUBLISHERS WEEKLY

This is a PDF of a featured Q&A in this week's issue of Publishers Weekly about SHOOT THE WOMAN FIRST (click on image to enlarge). You can read the full text transcript of the interview here. (PW's online version was subscriber only):

SHOOT THE WOMAN FIRST gets starred review from Publishers Weekly

The Nov. 30 issue of Publishers Weekly includes this starred review of SHOOT THE WOMAN FIRST, which it calls "taut, gripping." (Click on images to enlarge).

KINGS OF MIDNIGHT trade paperback

The trade paperback edition of KINGS OF MIDNIGHT, the second Crissa Stone novel, is out this week from St. Martin's/Minotaur, It's available in stores as well as at Amazon (also at a reduced Kindle price), Barnes & Noble, Indiebound and all usual outlets (click on covers for larger images).

Elmore Leonard, 1925-2013: Farewell to the master

Elmore Leonard passed away this morning at age 87, following complications from a stroke. I wrote about him today for my alma mater, The Newark Star-Ledger. You can find the story here.

Talking "Bruce Noir" on N.J.'s 105.7 The Hawk

Here's an mp3 clip of host Tom Cunningham and I talking about the upcoming "Bruce Noir" film fest in Asbury Park on his Bruce Brunch radio show on N.J.'s 105.7 The Hawk Aug. 18, 2013 (opening is slightly clipped).





Details and schedule for the festival can be found here.

GUN CRAZY - The story

Joseph Lewis' classic 1950 film noir GUN CRAZY is one of the titles at next weekend's "Bruce Noir" film festival at the Showroom Theatre in Asbury Park, N.J. (Springsteen has acknowledged the influence of the film on his songwriting, and you can really hear it in songs such as "Highway 29" and the still-unreleased "Losin' Kind"). Here's a rare look at the film's origin, McKinley Kantor's original short story as it appeared in the Saturday Evening Post Feb. 3, 1940. (Hat tip to "Czar of Noir" Eddie Muller for pointing me in the right direction).

(Click on images to enlarge)

SHOOT THE WOMAN FIRST - Final cover

After some subtle tweaking, here's the final cover for the third Crissa Stone novel, SHOOT THE WOMAN FIRST. Out from St. Martin's Press Dec. 3, but available for pre-order now.

Remembering the Big Man

Before she worked for Ted Turner & CNN and became a celebrated environmental activist, Barbara Pyle was a music fan who shot lots of candid photos of Bruce Springsteen & the E Street Band circa 1975. Most have never been published. She used some of them to put together this tribute to Clarence Clemons, who passed away two years ago today:



Salon asked me to write an essay about Clemons the night he died. You can find it here.

Coming this August to The Showroom Theatre in Asbury Park. I'll be hosting, with special guests. Film titles to be announced soon.

Letter from Guadalcanal

(Click for larger image)

A few years back, my cousin found this letter in a box in my late grandmother's basement, where it had sat undisturbed for more than 65 years. It was written by my father, William Wallace Stroby, in November 1942, shortly after his destroyer, the USS Cushing, was attacked and sunk by the Japanese in a major sea battle off Savo Island, in the South Pacific. Half the crew was killed. My father and his surviving shipmates were rescued at sea and taken to nearby Guadalcanal, where he quickly penned this V-Mail letter to his mother. He was 20 years old.



The letter reads:



Dear Mom, Just have time and paper for a few lines letting you know I am well and safe. Right now I am on Guadalcanal, Solomons. You will probably see by the papers why. Hope to be off in the near future, and maybe this time I will be able to come home for a few days. This is not such a bad place considering what it was a few months ago. Please don’t worry about me. I am well and safe. Not even wounded.

God bless you.

Love, Wally

The Golden Age of Movie Tie-Ins. Pt. 5

Clint Eastwood edition:

Where nothing is forgotten or forgiven

(The following is an abridged and edited version of an essay I wrote in 2009, reprinted here in advance of this weekend's Asbury Park Bookfest, where Dennis Tafoya and I will host a screening of the classic 1945 film noir DETOUR.)


It may seem a stretch to equate noir master Cornell Woolrich's doom-laden novels and stories with the music of Bruce Springsteen, but they share a lot of common ground.


Woolrich was, as his biographer termed him, "The Poe of the 20th century and the poet of its shadows." The dozens of novels and short stories he wrote over four decades, many of which were filmed, were almost always set in urban nightscapes, and shared a pervasive feeling of dread. His characters were often pursued for crimes of passion they didn't commit – or maybe they did. The titles alone set the mood – NIGHT HAS A THOUSAND EYES, THE BRIDE WORE BLACK, WALTZ INTO DARKNESS, RENDEZVOUS IN BLACK, all evocative of the noirest of noir sensibilities. Woolrich's protagonists were haunted and hunted, tripped by fate and trapped by the night.


Along with their fondness for nocturnal imagery, the best of Springsteen's earlier songs often shared that haunted – and haunting – quality found in Woolrich's work. The narrator of Springsteen's "Stolen Car" (from 1980's "The River") is an archetypal Woolrich character, mourning a lost love while driving a stolen car "through a pitch-black night," wracked by guilt and fear that "in this darkness, I will disappear."


Many Springsteen songs could easily have been Woolrich titles – "Darkness on the Edge of Town," "Downbound Train," "Point Blank" "Because the Night," "New York City Serenade" (Woolrich had his own "Manhattan Love Song"). And years before Springsteen came along, Woolrich found his own muse in Asbury Park, setting several stories in that once-glamorous but forever-fading seaside resort. The best-known of these is probably 1935's "Boy With Body," which was reprinted as "The Corpse and the Kid" in the 1988 Woolrich collection DARKNESS AT DAWN.


One of the most Woolrich-esque Springsteen titles is "Something in the Night," from his 1978 album "Darkness on the Edge of Town." It's one of the great but lesser-known Springsteen songs, filled with evocative lyrics and existential angst. It's also one of his most geographically specific songs, set on Asbury Park's Kingsley Street, which at one time formed a oval with Ocean Avenue known as "The Circuit," where aimless teenagers cruised on hot summer nights. The Circuit is also mentioned in that other Springsteen song with a quintessentially noir title, "Night," from 1975's "Born to Run."


While listening to some archival Springsteen shows, I came upon the first-ever version of "Something in the Night," from a concert at the Monmouth Arts Center (now the Count Basie Theatre) in Red Bank, N.J., on Aug. 1, 1976. Springsteen and his E Street Band were performing a six-night stretch there, debuting new material while an ongoing lawsuit kept them from recording (other songs premiered that week included the equally haunting "The Promise.")


This earliest version of "Something in the Night" is even starker than the one on the album. Slowed down, with only a simple keyboard accompaniment, the Red Bank version is radically different from what was released, with bleak impressionistic lyrics and references to a night when the devil "will walk these streets like a man."


Springsteen refined the song further through the years, leading up to the "Darkness" version, which is the one he currently performs, albeit infrequently. The various live versions also offer an insight into his songwriting process, as he gradually reshaped both the lyrics and mood of the song. By the time of a widely-bootlegged performance at New York's Palladium in November 1976, Springsteen had added a mournful trumpet to the arrangement, along with a new final verse. The album track lyrics can be found here. The Aug. 1, 1976 Red Bank version follows.


Well, I'm riding down Kingsley figuring I'll get a drink
I turn the radio way up loud so I don't have to think
And I ease down on the gas, looking for a moment when the world seems right
And I go tearing into the heart of something in the night

I picked this chick up hitch-hiking, she just hung her head out the window and she screamed
Said she was looking for someplace to go, to die or be redeemed
Well, you can ride this road 'til dawn, without another human being in sight
'Cause baby, everybody's gone looking for something in the night

And me I gotta stop running, I gotta stop my fooling around
Well, I got this stuff running around my head, I can't live with or live down
She wants me to push this machine until the whole world disappears out of sight
And just me and you baby, we'll surrender to the kindness of something in the night

Now tonight no sins are forgotten, no sins are forgiven
And when I look out on these streets sometimes I can't tell the dead from the living
Just winners and losers, mumbling about some vague wrong and right
And kids like us, rumbling over something in the night

And now you people out on the island, lock your doors and take your children by the hand
Put on your black dress, baby, because tonight the devil will walk these streets like a man
I don't know about you, but I'm gonna bring along my switchblade, in case that fool wants to fight
If he wants me I'll be running down the highway, chasing something in the night.


Audio of the Palladium version below.

(TOP: Artist Larry Schwinger's cover painting for the 1982 Ballantine Books edition of Cornell Woolrich's THE BLACK CURTAIN.)


Below: Singer-songwriter Matthew Ryan's version:

Asbury Park BookFest, April 19-22

(Click on image to enlarge.)

THE BARBED-WIRE KISS: First novel, First draft, First page

From the vaults: The first (typewritten) manuscript page of the first draft of THE BARBED-WIRE KISS, along with the final published page as it appeared (click on images for larger size) .

DETOUR in Asbury Park 4/19/13

Get ready for a bracing dose of tough dames, cheap booze and bad luck when Dennis Tafoya and I host a screening of Edgar G. Ulmer's classic 1945 fim noir DETOUR at the Showroom Theater in downtown Asbury Park, N.J., April 19 at 7:30 p.m., with fun stuff to follow. The event kicks off the first-ever Asbury Park BookFest, which runs April 19-22. More details here. You can buy advance tickets online here.

F. Paul Wilson's review of SILENCE OF THE LAMBS

Back (way back) when I was the books page editor at The Asbury Park Press, I recruited best-selling novelist (and fellow Jersey Shore resident) F. Paul Wilson to write a couple reviews for the paper (I'm pretty sure I paid him, but that was a long time ago). One of those reviews was of Thomas Harris's SILENCE OF THE LAMBS. These are scans of Wilson's original typewritten pages of his review, which was published in the Press in 1988 (click on individual pages for a larger, more readable view).

The Five Best Crime Films You've Never Seen

Over at Australian author Andrew Nette's website, Pulp Curry, my picks for The Five Best Crime Films You've Never Seen.

"Five Things That Changed My Life"

Crimespree Magazine quizzed me about five albums/books/movies/etc. that changed my life. You can read my answers here.

Joseph's Reviews on KINGS OF MIDNIGHT

"Edgy and fast-paced ... intense plot immersion, and a strong sense of urgency." Read the full review here.

LOVERS IN THE COLD on Kindle, Nook

My Christmas-set, Springsteen-inspired short story "Lovers in the Cold," is again available for download via Kindle and Nook.

An earlier version of the story first appeared in Jessica Kaye and Richard Brewer's 2005 anthology "MEETING ACROSS THE RIVER: Stories Inspired by the Haunting Bruce Springsteen Song." Kaye and Brewer asked a number of crime novelists, including C.J. Box, Eddie Muller and David Corbett, to submit short stories using the song, which appears on Springsteen's 1975 album "Born to Run," as a springboard. The New York Times wrote about the collection in 2005, and Publishers Weekly reviewed the audio edition.

"Lovers" is set in Bradley Beach, N.J., and N.Y.C. in 1974, and finds two Jersey Shore guys caught between friendship and fate, and in way over the heads in the city across the river. The title comes from an early Springsteen song recorded for "Born to Run" but never released.

Season's Greetings 2012

An Xmas song for always

One of the great modern Christmas songs, from Steve Earle. Been thinking about this song a lot lately, especially after the events of the last couple weeks.

Rutgers Alum-Knights profile (click on image to enlarge)

A new profile in Alumni-Knights, the alumni newspaper of Rutgers University, proving, possibly, that my six undergraduate years there weren't a waste.

UPDATE: The on-line version of the story is now available here.

GONE 'TIL NOVEMBER audiobook on iTunes

The unabridged audiobook version of GONE 'TIL NOVEMBER, wonderfully read by actress Karen White, is now available for instant download on iTunes, as are the e-book editions of NOVEMBER, KINGS OF MIDNIGHT, COLD SHOT TO THE HEART, THE HEARTBREAK LOUNGE and THE BARBED-WIRE KISS. Links for all can be found here.

MysteryPeople's 10 Best Books of 2012

MysteryPeople, the crime-centric store-within-a-store at Austin's great indie BookPeople, picks KINGS OF MIDNIGHT as one of the Best Books of 2012. You can find the full list here.

Marilyn's Mystery Reads on KINGS OF MIDNIGHT

"Wallace Stroby has written a thriller that has you cheering for the 'bad guys' ... It’s a tightrope act for an author, but Stroby handles it perfectly." Read the full review here.

KINGS OF MIDNIGHT on Kirkus' Best of 2012

KINGS OF MIDNIGHT finds itself in some excellent company on Kirkus Reviews' year-end list of the Best Books of 2012. You can find the complete Fiction list here.

The Next Big Thing: Alison Gaylin

(NOTE: Last week, I tagged Alison Gaylin as part of this week's NEXT BIG THING blogathon – a blog-hopping collection of writers answering questions about their latest works, or works in progress. As Alison is currently blogless, I'm hosting her here. - W.).



I was thrilled to be tagged for this by the wonderful and very talented Wallace Stroby for THE NEXT BIG THING – along with great writers Andrew Nette and Scott Adlerberg, and great writer/fellow true crime enthusiast Dennis Tafoya! The one problem is, uh ... I'm between blogs at the moment. So Wallace – whose books are fantastic and should be read repeatedly – agreed to post my responses. (Right, Wallace?)



Here goes:



1.) What’s the title or working title of your new/next book?

The new book is called INTO THE DARK. The sequel to AND SHE WAS, it’s the second book in the Brenna Spector series and it’s out Jan. 29!



2.) Where did the idea for the book come from?

The idea for the whole series came from an article I read about hyperthymestic syndrome – perfect autobiographical memory. To me the most fascinating aspect of this disorder wasn’t so much the ability to remember everything, but the inability to forget. I think forgetting is one of our most important survival mechanisms. So I decided to create Brenna Spector – a detective afflicted with this syndrome that may improve her performance on the job, but wreak hell on her personal life.

The idea for this book – about Brenna’s search for a missing “performance artist”/webcam girl who talks about memories only she or her missing sister could know about – comes from a whole bunch of ideas about memories and intimacy and guilt and obsession and, uh, porn.



3.) What genre is your book?

Crime fiction. Suspense. Whatever you want to call it.



4.) What actors would you choose to play the part of your characters in a movie rendition? Or TV series?

I think Rashida Jones has the right look and sensibility to play Brenna. My 11-year-old daughter says Brenna’s brilliant young douchebag assistant Trent should be played by Adam Levine – which I think is a fantastic idea. There are many other characters – and I’m open to any and all casting suggestions. (I love hearing from readers about this.)



5.) What is the one-sentence synopsis of your book?

Brenna Spector’s quest for a missing webcam girl brings her closer than ever to her long-lost sister – as she uncovers a decades-old web of deception, sex, guilt and murder. (Okay, I have to take a breath now.)



6.) Is/will your book be self-published or traditionally published?

INTO THE DARK is my sixth traditionally published book – and my second for HarperCollins.



7.) How long did it take you to write the first draft of the manuscript?

About five months.



8.) What other books within the genre would you compare this story to?

Hmm… Got me there. I do love what Laura Lippman has done in many of her books with the idea of memory, and if this comes remotely close, I would be honored.



10.) What else about the book might pique the reader's interest?

There is a long arc story to this series about Brenna’s missing sister, which this book focuses more on than the previous. Like AND SHE WAS, the plot is pretty intricate with, I hope, a lot of surprises. And there’s guilt and murder and sex in it too.

The Next Big Thing blogathon

I was quite chuffed (as the Brits say) to be recruited by the lovely and talented thriller writer Alexandra Sokoloff to take part in this week's edition of The Next Big Thing blog hop, a series of brief interviews with various authors about their current book or work-in-progress.



I was even more pleased to discover the company I was in, as I'm sharing this week's theme – strong women in crime fiction – with some strong and admirable women indeed: (above, from top) Christa Faust, Michelle Gagnon and Zoe Sharp.



By way of prologue, Ms. Sokoloff explains all here. And you can read this week's entries by clicking on the links below:



Christa Faust

Michelle Gagnon

Zoe Sharp



My contribution follows:



1.) What’s the title or working title of your new/next book?

The most recent is KINGS OF MIDNIGHT, published in April by St. Martin’s Press/Minotaur. It’s the second in my series about Crissa Stone, a professional thief and career criminal.

2) Where did the idea for the book come from?

Writing a series about a fictional thief, I wanted to connect her to a famous real-life robbery, in this case the 1978 Lufthansa heist at New York’s Kennedy Airport. A crew of local gangsters walked away with $8 million from the Lufthansa cargo terminal without firing a shot. At the time, it was the largest cash robbery ever on American soil. Most of the money was never recovered. Seemed time someone found it.  



3) What genre is your book?

Crime. Hard-boiled I guess, if you go for those sort of labels.



4) What actors would you choose to play the part of your characters in a movie rendition?  Or TV series?

Writing a continuing series, I never do that because it might mess me up in writing about the characters going forward. That said, I have broken that rule a few times. I imagined Sara Cross, the single mom and sheriff’s deputy in GONE ‘TIL NOVEMBER, as looking very much like Sarah Polley,

an actress I admire a lot. I was always impressed with her determined, slightly otherworldly quality. But when I met her briefly at a New York Film Critics Circle Awards dinner a few years back, she was actually quite cheerful and girly.



For Eddie “The Saint” Santiago in COLD SHOT TO THE HEART, I always envisioned the late character actor Al Lettieri,

who brought an authentically edgy and dangerous quality to his roles in THE GODFATHER, THE GETAWAY and MR. MAJESTYK.



5) What is the one-sentence synopsis of your book?

A female professional thief and an old-school ex-mobster team up to recover millions in stolen money from a 1978 robbery.



6) Is/will your book be self-published or traditionally published?

St. Martin’s Press has published all five of my novels to date, and I’m under contract with them for a sixth.



7) How long did it take you to write the first draft of the manuscript?

My writing process is always mixed up, with different sections being rewritten multiple times before moving on, so there’s no clean chronology of drafts. Between beginning the book and submitting it to my editor though, it was exactly one year – Aug. 1, 2010-Aug. 1, 2011.  



8) What other books within the genre would you compare this story to? 9) Who or what inspired you to write this book?

I’ll combine these two questions. There have been a lot of influences on the Crissa Stone books, some of which I addressed last year on the legendary Ed Gorman’s blog. You can find that piece here.



10) What else about the book might pique the reader's interest?

It’s the second part of proposed trilogy (or beyond). The third book, SHOOT THE WOMAN FIRST, will be published by St. Martin's next year.



*****

For my part in keeping this ongoing blog hop extravaganza going, I've tagged first-time author Scott Adlerberg, thriller writer Alison Gaylin, Aussie novelist Andrew Nette and Philadelphia's own Dennis Tafoya. Look for their entries on their respective blogs next week.

The Bucks County Herald on COLD SHOT

"A terrific story of criminals and crime ... the action never stops." The Bucks County Herald in lovely Bucks County. Pa. (home to the wonderful Farley's Bookshop on Main St. in New Hope) offers a slightly belated - but much welcome - review of COLD SHOT TO THE HEART. (Click on the image for larger version).

From Paterson to Asbury Park

In the wake of Hurricane Sandy, Junot Diaz, Joyce Carole Oates, Dani Shapiro and I - as well as other N.J. authors - pick some favorite books about the Garden State. You can read the entire piece here.

My choice? "4th of July, Asbury Park: A History of the Promised Land" by Daniel Wolff (Bloomsbury USA).

NoirCon in Philadelphia Nov. 8-11

Looking forward to NoirCon in Philadelphia this weekend - Nov. 8-11 - where I'll be discussing "True Crime" Sat. morning with Megan Abbott, Alison Gaylin and Dennis Tafoya. Guests of Honor this year include the great Lawrence Block and industry legend Otto Penzler. The complete schedule can be found here.